Tobacco - Françoise Barbira Freedman

The transformation of indigenous shamanic practice through the colonization of Amazonia did remarkably little to modify local ritual uses of tobacco. The reasons are threefold: tobacco smoking, as the main curing tool of shamans, was conflated with licit uses of tobacco in the colonial period; the contribution of the phytochemistry of Nicotiana species to the centrality of tobacco in shamanic plant medicine; and the way in which the specialized path of tobacco shamans, although displaced by the less demanding path of ayahuasca shamans in the nineteenth to twentieth centuries, has fostered the conservation of varied modes of tobacco consumption among both indigenous and urban non-Indian shamans. Moreover, despite the discouragement of tobacco use in public health discourse and practice, the development and spread of ayahuasca shamanism has contributed to a revival of traditional cultivation, curing and modes of consumption of tobacco.

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The five categories of shamans recognized in the upper Amazon on the basis of their dominant plant media (ayahuasca, toé, tree barks, flower essences or tobacco) all use tobacco as a primary connecting substance in their relations to spirits, as a synergetic enhancer of the effects of the other mediating plants, and as the main tool of their therapeutic agency. In this way tobacco use is truly the hallmark of shamanism through history (cf. Hugh-Jones 1979a: 231; Fausto 2004: 158).

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Through their psychotropic effects, shamanic plants ‘teach’ novices about the interactions between people, plants and animals and ‘show’ them empirical and symbolic pathways to counteract the malevolent senders of sickness. The repeated ingestion of tobacco juice during long periods of strict fasting, in which the constant smoking of tobacco is also encouraged, is said to add an important dimension to the visionary effects of other powerful plants such as ayahuasca or toé since, in moderate doses, ‘tobacco teaches in dreams’. Through the ingestion of tobacco, novices receive instructions about the plants that they need to work with and study in order to gain spirit allies in an individualized path of practice, within local and lineage patterns of knowledge transmission. ‘We see different things with tobacco, which plants we need to follow, how to learn medicine, which spirits will come to us, animals’.

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The feeding of spirits with tobacco creates and augments the agential intent of shamans, supported by their allies’ subjectivities that they hold inside them in embodied forms: the Q. llausa or Q. yachay (‘ knowledge phlegm’) that shamans grow in their trachea and bronchiae, needs to be fed with tobacco smoke and in the case of strong shamans (Q. sinchi sinchi yachak) by tobacco juice. Inside the phlegm are not only small darts that are the expression of shamanic power but also ‘live’ small animals (Q. karawa)–scorpions, worms, spiders, centipedes, millipedes–that shamans acquire from others as gifts, by theft or by seizing them after they escape from the mouths of dying shamans. Without tobacco smoke and also tobacco juice as regular food, these entities become inactive and impotent, not responding to shamans’ agentive intentions. Very large pipes of strong tobacco are necessary to ensure the transfer of karawa to selected initiates, by regurgitating and re-swallowing their yachay. All shamans, however, also use regular, often daily tobacco smoking to maintain the visionary space that they enter under the effect of psychotropic plants, something they describe as contemplative study. For observers it may look no different from recreational pipe smoking for relaxing the mind, but for shamans this is a central connective activity that creates psychic bonds with spirits, patients, the whole cosmos and relational entities.

Matsigenka Tobacco Shamanism

But Matsigenka men do not take the sharing of tobacco lightly. A man’s tobacco is a concrete manifestation of his spiritual powers, and sharing tobacco implies the sharing or transfer of these powers.  Indeed, the word for shaman in the Matsigenka language is seripigari, literally, “the one intoxicated by tobacco.”[3] The Matsigenka are circumspect to the point of self-deprecation regarding such matters: no self-respecting shaman would ever openly claim to be one. Instead, those who boast of their shamanic powers are tacitly assumed to be sorcerers, who use spiritual powers for selfish, evil ends.

The most powerful shamans (like the best hunters) are usually the ones who most vehemently deny any such prowess: the Matsigenka universe is a delicate tapestry of reticence, nuance, and insinuation. And yet anyone who regularly consumes tobacco and other psychoactive plants (especially ayahuasca) is, by definition, a shaman, since nicotine intoxication is synonymous with shamanic trance. Shamanism, it would seem, is a matter of degree rather than kind, and although none but the most insecure or inept would openly admit as much, all those involved in sharing tobacco and ayahuasca are scaling the rungs of shamanic initiation. Not even the sky is the limit: the greatest shamans ascend beyond the heavens to mingle with immortal spirit beings, the very gods of creation who defend and perpetuate the universe through their ceaseless war against the forces of chaos and evil.

"The word for shaman in the Matsigenka language is seripigari, literally, 'the one intoxicated by tobacco'.”

As a material substance that stores and transmits spiritual power, tobacco is the shaman’s soul. The more “painful” or “pungent” (katsi) the tobacco, the more powerful the shaman. Nicotine addiction, a physiological reality, also has a spiritual component: The Matsigenka say a man’s shamanic spirit guide craves tobacco the way a hummingbird craves nectar.

http://ethnoground.blogspot.com/2015/06/agony-and-ecstasy-in-amazon-excerpt.html?m=1

Yanomami tobacco origin tale

Nosíriwë walks through the forest weeping, because he is in need. He cries ‘peshiyë, peshiyë, peshiyë!’ as he walks. He finds some blue-headed parrots eating pahi and moshima fruits and asks them for a bunch. They ask him why he is crying; he says he is in need of something. They give him the fruits and he continues wandering and weeping, finding some more parrots eating reshe fruits. They also interrogate him and give him the fruits he asks for, which he eats without satisfying himself. 'I am crying because there's something I don't have', he says. Once again he finds parrots eating, eats a little and goes on lamenting.

Finally he fínds Kinkajou, who is eating fruits sitting on the branch of a tree. He has left his axe in the ground with a cut of tobacco in the handle. Nosiriwë again voices his craving, and asks Kinkajou for some fruit. They are tasteless, says Kinkajou, who has guessed Nosiriwë's need, and tells him to take his tobacco cut instead. Nosiriwë inserts the tobacco under his lip and shouts his satisfaction: 'Aye, ayë, ayë’. He then goes away, and all over the places where he spits on the way back, tobacco plants grow 

from Lizot in Wilbert Simoneau 1990:168-169